Media coverage and critical review

"Working in wax, cast into bronze, Hirth's figures stand at only 40 centimetres high and yet exude a staggering physical presence. ... she does not depend on size, scale or weight for impact, using more subtle qualities like posture and texture. The seductiveness of Hirth's sculptures is not superficial, but rather comes from the palpable integrity of purpose. Hirth resisted what she saw as pressure to produce work that dealt with the female body only in terms of death, sex, decay and destruction. The fragile yet sturdy beauty and the autonomy of her forms evince a complexity that is as raw and transformative as the abject body of her 1990s contemporaries."
Cherry Smyth, Damn Fine Art

"Through their simplicity, elegance and serene expression Tove conveys the strength and beauty inherent in the female form with both passion and vitality."
Philip L Godsal

"Rarely does art receive such a massive and spontaneous response as the sculpture "Jenta" received when she was unveiled at Bergebakken School... The school children's spontaneous and highly visible excitement proved that the bronze sculpture found its audience on home ground."
Hadeland, Jevnaker, Norway, 25 Nov 1999.

"I wanted to create a sculpture that was very naturalistic. She's a 12-year old girl who is pretending to fly. I wanted her to look playful but serious, like children playing often do, as a symbol of how education needs to encompass both knowledge and creativity."
Tove Hirth, quoted in Ringerikes Blad

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